Da Vinci and the Sistine Chapel
Sorry
but there is no way Michelangelo was smart or skilled enough to paint the
ceiling. He was a legendary sculptor
no
doubt about it, but his painting skills were middle middle at best.
Da
Vinci is the true genius behind the Sistine chapel
One
of the following scenarios is based on the evidence what actually occurred in
the creation of the
Painting
of the Sistine chapel ceiling.
Da
Vinci was either;
A
was the painting architect
B
he painted the hardest portions
C
he painted most of it, under a clandestine agreement between Michelangelo and
the Pope. since Da Vinci himself was hated by most of the bishops of the Vatican.
Da
Vinci was that smart, but Michael was not.
As
a Teenager and early 20s Da Vinci became a master of human anatomy, physiology,
biology, and chemistry.
He
had more than enough knowledge and had dissected human brains on at least a
dozen occasions. He knew
Full
well the structures of the brain.
It
takes no stretch of the imagination at all to assume Da Vinci was smart enough
to build a map and codes into his work. He did that into almost every work he
did.
This
would be no exception in any way.
It takes a huge leap of faith to assume for even a second
that Michelangelo was smart enough to build in maps, and other secrets into his
work.
He did not have any history in any way of building in complex
maps, secrets, etc. into his works.
His decades of experience, he was a master sculptor, but he
was not in almost any way smart enough to follow in the footsteps of his master
Leonardo Da Vinci. Michael was born more than 22 years after Leonardo.
Leonardo was labeled a painting master before Michael was
born, by more than 5 years.
The Vatican pushed so hard the information that it was
Michaelanglo who pained the fresco’s that it has not even
Been a question for the last 500 plus years.
However Michael did not have the smarts, the skills, or the
talents to pull it off.
Now if the idea was presented that Leonardo Da Vinci Painted
designed and painted the Ceiling and etc around
Then the first thing everyone would look for is the hidden
codes and maps Leo painted into everything.
Well at least one of Leonardo’s map was found about a decade
ago.
There is a major code regarding the ancient religion of ATEN, and the
structure of the brain of god. But that is a very
Complex code and mapping. But that code and mapping are
absolutely present.
God is in the shape of the Human Brain.
The question is not if it is present, the question is; did
Leonardo Da Vinci intentionally use the codes and maps of the
Science of the ATEN and AETT or was it just a happy accident.
No one would question the basic premise if the Sistine Chapel
was painted by or at least designed by Da Vinci.
In fact, Da Vinci scholars would immediately begin to look
for the hidden codes, maps, etc. which are present in almost every other single
work Da Vinci did.
That statistical analysis is absolute.
Michelangelo; doubtful he was that smart
Da Vinci; not only was he that smart, but he could not help
himself, he would have designed in codes, maps, and puzzles into his works.
Close to impossible to assume otherwise.
We have a solid basis in facts. Doubtful to a fictional
level, and a could not be done without it from the other.
There
is absolutely no doubt in most scholars minds this God brain extremely complex
painting is intentional.
But
Michelangelo did not have this knowledge, he did not use this type of knowledge
of anatomy in anything at all else that he did before or after. He simply did
not use anatomy, he used biology, but not anatomy.
Da
Vinci on the other hand was an expert in anatomy, biology, physiology,
mathematics, engineering, medicine, chemistry, etc. etc. etc.
This
is one piece of evidence that Michelangelo did not paint the ceiling, or at
least design this specific panel.
It
is strong almost impossible evidence to how Da Vinci did not. Close to the only
person on the planet callable of painting it was Da Vinci.
Da Vinci (April 15, 1452) and the Sistine Chapel 1508–1512.
Da Vinci was in his middle 50s to early 60s, Michelangelo was in his early 30s. The skills of a seriously legendary master of painting Da Vinci possessed without the slightest doubt. Michelangelo did not in almost any way.
Leonardo
was more than smart enough to come up with the brain structures as God.
The
Brain Structure of God is a very difficult subject to even bring up because it
is part of an ancient science which had existed long before the Pyramids were
constructed.
But
key aspects of the science are present the panels which I theorize Da Vinci
intentionally designed and painted.
Now
something needs to be applied and identified.
The
history of the building itself.
The
building of the Sistine Chapel itself.
The
Building was moved from its previous locaiotn of Heliopolis to Rome by
Calguila. Caligula moved practically the entire city of Heliopoplis to Julii
Lands just before the Crucifixion occurred.
Remember
the Senate hated Calgiula with a passion only a little less than they hated
Jesus.
Who
was a defined and suginificatin enemy of the state, and his trail took place in
from of the Senate in the Roman Forum. Why because that is hwere all enemies of
the State were Executed.
The
story was altered/edited by Paul because Paul wanted to diminish the roll of
Jesus and raise his own. Since he was arrested and was going to be executed in
Rome for heresy.
Heliopolis
the city used to be called IWNW circa 5000 bce to 3500 when an invader from
Mecca came and conquered from southern Egypt north. It took them from 3800-3500
bce to reach from Heirakonopolis to Heliopolis. The city was this building and
the city and building were the same thing and name. The Capitol City of
Pillars.
The
Popes knew this, but the rebuilding of the Temple of IWNW and its Neighbor
Temple (Noahs Ark)which is a intensely long story. The Vatican had desiced a
while previous to rebuild itself to reflect the original Heliopplis back to
what Adam himself had built.
Which
is an even longer and more complex story.
Although
the size and shape of the building they did have to leave out the fact that the
size inside was needed to be large enough to house 4 Kaaba and a fountain in
the middle. The Kaaba were tents which floors inside. During various events the
cloth could be moved out of the way so the layers of the Kaaba could house more
people to see the “person” taling on the platform floating over the fountain.
Why
a Platform, because the platform places anyone on the center of the platform in
the midde of the Ǽtt.
The
Middle of the Ǽtt would be
Four
Kaaba in the middle about 10 feet square in order to have room for the fountain
in the middle.
Catwalks
from the 4 kaaba to the platform over the fountain.
The
evidence is a bit sketchy, but it appears that Adolf began sending troops down
to Italy in 1920 to research and scout out as much information and details
about the information the Thule Society had collected.
Obviously
the Thule Society had only been in existence for less than 18 motnhs, but it
was the end of a very long sequence of German Think Tanks which had started in
1806 hwen the Roman Roman Empire collapsed and schoals were allowed to enter
the Library ystem the Romans left behind.
That
library system obviously would be a monstersly form of income for the goernets
which controlled it. So they did not just allow scholars into the buidingns.
Scholars would have to form “Think Tanks” in order to have a directed purpose
for entering. Those directed purposes were at least for the 1000 tink tanks
which the second to last was called Thule Society were directed at assembling
as much information onto and around the
concepts of what the center square of the garden of eden looked like.
The
English took their cues from different literary sources than the
Germans/Austrians.
The
Germans knew that the center of the Garden of Eden was not a single tree, they
knew the Suermian for Genesis 2;9 was not one tree with four attributes but 4
separate trees.
With
the Fountain between them.
Those
four separate trees would obviously be in 4 quadrents the rivers ran between.
That
is simple logic.
Four
attributes, four trees, four rivers which would make a square.
Hence
the symbol of the NAZI themselves; the symbol used to mean “The Center of the
Garden of Eden”.
However
that became unacceptable during and after World War II.
Adolf
was going to build and in part did built a huge building which was going to be
half inside and half outside designed similar to the Roman Circus Maxiums, but
instead of horses and horse racing.
His
idea was to use Lake Nemi Ships to achieve the goal.
His
idea which was in part based on the hypothsis that the Lake Nemi Ships were in
fact at least to Himmler, Hess, etc. the Thule Society members. Note, Adolf,
Eikman, Georing, Gerring, etc. were never ever part of the Thule Society. They
had been FreiKorp members since practically birth.
The
FreiKorp is a paramilitary spy organization from the Prussian Empires Milltary
wing.
There
is less than zero doubt to anyone who knows even the smallest amount about
Adolf and his obsession with Cults, that he had sent troops out to scour the
lands for every biblical artifact he could get his hands on.
He
was going to turn ever single one of those tools which had a direct connection
to god into a weapon to lead his army into a new erra of evil. Although he did
not see himself as evil. He saw himself as clensing the evil form the human
race. The “underirables” to the Prussian Empire were inhuman, walking and
talking as if they were human.
Just
because they were bipedal does not mean they were not instruments of satan.
All
an all a very twisted and psychopathic culture to say the least.
But
their actions do ppoint to solid facts they were able to assemble.
Adolf
statiticaly speaking did not order the Lake Nemi Ships destroyed, that is
mostly fiction.
Adolf
ordered the ships dismantled from 1920-45. The parts shipped to Nuremburg and
reassembled in his Grand architectural slender where he wanted to inclose a
stadium capable of holding 250,000 to 500,000 people. Part of it was built.
That part was built close to the current Nuremberg area Adolf gave more than a
few of his speeches, where several of his propogada films were shot.
His
grand plan was to rebuild the ships, back to their orignaiol the birth of
Christinaity splender.
The
architecture is very clear.
2
towers on the bow, two towers on the stern of each ship.
One
ship was 230 feet long and 66 feet wide
The
second ship was 240 feet long and 80 feet wide.
Adolf
took those basic ideas and based on the size of the mote built into the plans
for the building, he wanted a ship 900 feet long and his personal show off ship
to be 1000 feet long.
A
Full replica of a hypothsis regarding the Nephilium who were mentioned
immediately before and for the next couple chapters. The thule society who were
allies with the British and had been for cnetures, worked just as hard against
they nazi as they did for the British. They were not allies with the Enlgish,
but the Biths. Which is a huge difference.
The
Ships were going to be a centerpiece for Adolf to use to show off his immense
power and divine glory. he was giogn to be standing in the footsteps of Adam
(Sistine chapel), Noah (noahs fleet), and of course Jesus
Boign
on the basis that Jesus began his ministry in Rome propper. When he entered
Jerusalem, Jerusalem translates to Heliopllis.
Heliopolis
is a Greek word. The city was called IWNW till 3500 bce when the conquerors
made sure to hide and destroy all references to what it was called till the
Greek language was invented at 800 and then they called it Heliopolis. Which
trnales as Jerusalem.
When
Jessu entered Jerusalem linguistically and according to the rules of “Enemy of
the State” Jesus entered the Julii Estate hwere the Vatican sits now. Although
the area had been called the Valley and Vatical hills since before Romulus was
born.
Why
is this critical.
Because
unlike scholars and sometimes radically conservative western scholars the Thule
Sciety and of course the PRussiand did not have a problem when it came to being
convinced something could exist which could be turned into a weapon. If the
church stated x was a fact and it was not a tool. That is where the Prussian
and Thule society focused their attention to find out the truth. Was it just
one ship or a fleet.
Mostly
likely it was not just one ship but it was a fleet.
Evidence,
buried in and around the pyramids an dof course the masbaba in Egypt are ships.
The more powerful had sevear lships, sometimes in paintings, the more rich had
several ships buried with them. Ccording to the fleet of ships depicted on the
Narmer Monolith in souther Egypt rather close to both Thebes and of course
Heirakonopolis.
Western
Schoarls and historians want documented proof. The Prussians and the Thule
society were moviated by finding the facts and ermovign the propogdaa which is
so easly used by western schoars to distract. Western schoarls love to believe
the thologoy the Vatican created to hide their most pwerful toosl.
Interesting
enough solid and profound evidence for this “Fleet” concdotp can be found in
how the planations buildings were constructed.
They
were built as if they were an upside down huge ship.
Very
long at least 100 feet and about 20 to 50 feet wide. Which is entirely
unacceptable for defense, even worse for circulation. Trying to keep the place
cool and warm was a solid pain.
However
it the plantation houses were not built for defense but were part of a Noah’s
Ark type idea. Than those plantation houses and the collection of Plantaiton
houses were a way to recreate Noah’s Fleet.
The
basic concept for this came from the First Crucade, when the not yet formed
Teutonic Knight order witnesses the Ogle family army aka what would be called
“Templar Knights” make a bee line to various library caches the family had left
in the previous centuries and millenia for safe keeping in the ground and in
issloated caves. They went to them, uncovered, them, then took them back to the
Kingdom of Ogle which had been renamed Northumbelrnad.
Where
Rudolf Hess crash landed on his defection from the Third Reich; Opeation
Barbaroosa launched just 6 weeks later
Operation
Barbaroosa of could its primary mission was to seize control over the
Russian/Prussian Amber Room and deliver it safetly into the Koch family hands
in Wichitah Kansas, which is located about middle of the southern portion of
Kansas. All in all a very difficult and isolated place to arrive at. One of the
most famous residence to come out of Wichita about a year after the Amber Room
arrived would be Denis Rader aka BTK the serial killer.
A
hint of what can happen when divine tools are used for bad/evil purposes by
people convinced their actions are good.
For
evidence of a defined and ncirectd connection between Adolf ( the Leader leader
of the Third Reich) and Nero.
In
Rome their was a problem, hwhich the senate worked very very hard for a century
to hide this specific problem.
The
problem they possessed was that their were two emeprorors in charge of Rome
Proper at the same time.
Claudius
was emepor and carried around the official symols and seals of Roman power
passed down through Caesar namely the bundle of sticks around a ceremonial axe.
But
Nero (who was actually the emperor name of the aposile Paul, aka the evil
priest Paul) demanded to have his own symols of power.
That
symbol of power bcame known as the Fascisa. Which is hwere both Mussalini and
of course Adolf adopted a version of that name in order to perform the evil
actions they did.
Ultra
hard line Nationalism, hwere neither the state or the leader of said state
could be questioned aboutu anything at any time about anythgn.
It
appears Adolf wanted to be the next Nero, he fancied himself based on this
symbol of power and of course dopted its name as the name of his political
movmente. Adolf wanted to be head of the Christian Chruch; he wanted to be
pahroah. And would stop at less than nothing to ensoure he as pharaoh, up to
and including invading Egypt.
After
he invaded Egypt it would be interesting to to find out what name he chose as
his Pharaoh name.
Or
was that about the time he stopped using Adolf and began being “The Feurer”.
The
Leader being what De Feueror translates to in English.
Nero
chose to use the Fascisa because of another rather interesting aspect to tis
power.
The
fascisa is part of a very ancient ceremony involving the Queen of Sheba and
King Solomon performing inntmacy rites in the inner sactum Santorium in, on,
and around the ark of the covenant.
Which
at least as close as they could the Fascists owkred very very hard to recreate
that cereoy, through the lebensborn project.
Another
evidence based connection to said intimacy cermeoy, Queen of Sheba, King
Solomon and the Pharaoh/fascisa thing. The Lake Nemi Ships were by very
insulting senate churned rumer were pleasure palaces desgned to allow Caligula,
Claudius a place to induldge their most wild sexual fantacies and depraived
debothery.
The
problem with this whole Vatican repeated concept is. the Roman empire had
absotlely no problem in any way, shape, or form with deboshery in any way in
public. Parties were held to perform the most outrageous sexual acts any human
could imagine.
Brothels
had paintings on the wall depecting most every sexual act anyone could think
of.
So
this whole vaican prutican; if x was allowed in the eopen. If parties you could
have sex with a slave and kill them half way or all the way through the
process. No one cared at all. Infact you might be able to sell tickets to
seeing a slaves throat cut just as the slave and or the master reach climax.
Bathing the participants in blood.
Widows
unless they were from powerful at the time families; full roman citizens
females were subject to the same treatment as slaves depending on who the
military commanders in the area were. It is utterly ridiculous to assume on
caligulas’ loating ships they did ayhting beyond what was being done by routine
all around rome with no one caring at all about it being bad in most ways.
The
ships were not used for debothery, that is a Vatican fiction.
The
Lake Nemi Ships were constructed by Caligula to be the first prupose built or
in this case reconstructed from Noah’s fleet Christian Cathedrils. The shipps
were also 100% protected by the Roman Army, and the lake was sacred. The senate
was not allowed to get close to the lake let alone get into it. some senators
had estates around but those estates were not close to the rivers edge. That
lake was the Emperors private area.
Adolft
copied those things into his fascism/third reichh.
The
amount Adolf Copied from the Lake Nemi Ships, Nero’s power name, Nero’s symbol
of power, the Lebenborn project/intimacies of King Solmons and Queen Sheba,
etc.
Did
Adolf Copy anything from the St Peters Basilica and the Sistine Chapel.
Just
because the NAZI’s did not come to power in Austria/Germany till 1932 does not
mean they were not a hard line political group from 1920-1932. The bear hall
punch was done in 1923. Adolf went to jail but that does not mean for a second
that the NAZI lost power or focus in his absence.
In
fact thanks to the command and control structure of the Prussian Empire being
the actual power behind the Third Reich throne; Adolf in prison did not affect
the FreiKorp or their commanders in the Prussian Emprei one small tiny bit. The
Puppet was in jail, but the puppet master was free to do whatever they wanted
to do. They were even free to do anything they wanted to do after the war, they
were not accused of almost anything and were able to move around freely despite
the crimes they ordered adolf to perform and order.
The
materials which make up St Peters Basililca and of course the Sistine Chapel
came from city city of Heliopolis which Calilgula had shipped from Egypt to the
marsh nexto the Vatican Valley.
Thaat
city was a large and thriing city circa 4000 bce, the same materials from then
are present in both buildings in the present. Which means that Adolf would have
absoltulely demanded to have access to those buidings and copy the technology.
Moving the buidings out of Rome was not an option, but making copies was.
Working
to decode the mysteires that Leonardo Da Vinci paintd into the Ceiling would
have also been a huge priorotie for the Third Riech. Not to mention the Thule
Societiy, which name changed from Thule to “The Four Year Plan” when the Third
Reich outlawed the Thule Society.
The
four year plan is a play on words regarding the four trees of creation and the
four associated rivers.
Adolf
designed this entire empire based on the American Confedeary eg the Plantation
System (which eac plantation is its own little St Peters Basilica/Sistine
Chapel. Each large Plantation had its own chapel or mosque very close by to the
main house. Baslilica and Sistine Chape copied into every Plantation) and of
course the Reich of Nero. If the assumption is correct that Nero was actually
the Apostile Paul; than the holocaust itself was modleed upon and after the
genocide which Paul unleashed upon the followers of Jesus/Simon Peter. The
murders in Rome of Jews and those who followed the path of Jesus fro about two
centuries were rather intense. The nighly bloodletting have rome itself the
street ran red with blood on dozens of occasions.
One
of ht ereasons Vespasian worked so hard to find and destroy Paul's army; they
would rather kill every single roman in the entire empire than assume one of
them might not be loyal to Paul/nero and his philosophy. Which is the philophsy
of Fascism. Which Saddam Hussein copied that exact Fascism to rule Iraq for
decades.
Be
fascinating to find out if Adolf assumed that Nero was actually the apostle
Paul. Since Paul ruled his Christian empire from the confiscated Vatican and
the associated buildings.
Hwo
much work had the Prussian Empire put into studying the buildigs and the
secrets they hold.
They
knew falt out that Lenodaro Da Vinci was wanted on at least two occasions for
heresy against the Vatican, An executable offense. But the Prusians had
knowledge which western cultures do not possess. They knew the Vatican is
special and important to the entire Ogle family. The Vatican used to belong to
the Ogle family way back in history.
Based
on the Lake Nemi Ships, as well as some guess work from biblical sources.
4
towers on each ship.
2
on the bow, 2 on the stern x 2. Which if you had not notieced is 2x2.
The
calculation of Noahs Ark animals
The
evidence in the antolia peninsula is
beyond clear.
At
4000 bce their was a huge thriving civilization in Egypt, in antolia their
would not be civilization in the area known as Mount Ararat for more than a
millennia. Lots in and around the Ǽgean but on the east side nothing more
than skattered tents.
Large
multi-story stone buildings were bding bbuilt in Egypt.
So
when Noah found Ararrat he knew exactly how to go to the city/Tmeple of IWNW
and park his ark.
He
would use that destroyed structure and of course his own ark to have
civilizaitonflourish. The evidence for the next 2000 of Egyptian Civiliation
could not be any more clear if they had developed the Video camera to document
their achievements. Although they did build things we in the present have less
than no idea how to make a copy of, let alone be creative and build out own
versions of.
That
would be the Pyramids.
Da
Vinci possessed an IQ of well over 200.
In his work with the Vatican and of course his work with the Catholic Church while the building was being rebuilt from its previous modeling circa 1473, De Vinci was a man of about 20. Construction had taken place in his 20s and the plans had taken place in his teens. Despite the fact that he was from Anchiano Italy, that is about 100 give or take miles from Rome itself. He would have been a noted and remarkable person interested in the subject.
It took more than four
decades and at least two popes between, but they would have finally been
semi-allowed to be included in some aspects of the building itself. Not the
remodeling, or the structuring of it; but he would be allowed to assist in the
fresco painting of the ceiling. Why the ceiling, because for most of the time
the scaffolding prevented all but a very small number of people to even see the
painting process let alone the painter.
The painter would be on a
platform, at least 10x10 if not larger to paint the frescoes in time and have
them blend into each other seamlessly. Da Vinci could paint that way,
Michelangelo would not have possessed those skills. Forget a mastery of those
skills, legendary skills are lightyears beyond those type of skills.
However, for Leonardo, being
hidden by the scaffolding is simply part of the clandestine efforts.
But this brings up a very
interesting other connection.
Moses used a scaffolding to
create the Hebrew letters. The language he used to build his scaffolding from
was the Elder Futhark, the Elder Futhark is the structure of the Scaffolding.
However, in all large pieces
of art, scaffoldings were standard procedure. They were obviously required in
order to not have painters try in vain to use ladders and have to use three
hands to paint. The larger the piece of art, the larger and more elaborate the
scaffolding would need to be.
The scaffolding for the most
part hid the overwhelming majority of the artwork from view until the scaffolding was removed and the
entire piece of art could be perceived.
For the most part over the
years and years it took the construct, from 10 feet high up the entire Sistine
chapel center building was entirely cut off from view from most people. Easily
creating huge areas which dozens of people could easily hide in and not be seen
for years.
The Sistine Chapel itself
The history of the building
itself is long, detailed, complicated, and plays a part in the bible at least
twice if not more.
The original Capitol city of
Pillars or in Indo-European language IWNW is likely the masonry and some of the
timbers used to build the Chapel in the first place.
The City of IWNW was renamed
Heliopolis circa 3500 bce by an invader of Egypt from Mecca. The temple of IWNW
was by legend built by Adam himself.
The
building had been rebuilt on several occasions. In both Egypt and of course on
Vatican property.
The
similar sciences which Da Vinci used on several of his other paintings it
appears that he used a Freemasonic 3x3x3 framework similar to the 3x3 he used
for the Last Supper.
However,
for this ceiling a larger and more audacious type of mathematics would be
required.
But
there was another problem, Leonardo was hated by most of the Vatican. The Pope
did not mind him, but most of the Bishops did and the office of inquisition
wanted on several occasions to arrest him and execute him for heresy. But his
friends were far too powerful to allow his arrest. He was good friends with the
Medici, some friends in Rome, Machiavelli, the King of France, etc.
He
had really good friends, so the inquisition could not arrest and kill him. But
to pull off the Ceiling of the Chapel would require some clandestine operations
as well as someone most of the Vatican liked and was a specific favorite of the
Pope. Michelangelo (March 6, 1475,) was about 20 years younger than Da Vinci. Which means at
the Venice school of art Leonardo was Michelango’s painting master. Everything
Michelangelo knew about painting was taught to him by Leonardo. One of the
human’s best painters; if not the best painter humans have ever produced.
Michael
was good, but Leonardo was as stated one of the best if not the best painter to
have ever lived.
But
there is a problem. Leonardo himself was not welcome in the Vatican, but
Michelangelo was. So how to fix/adjust the problem.
Simply
have the chapel sealed off most of the time. The painter spends hours out of
sight of anyone on the floor. And it took years, with long breaks between
painting sessions. To that Michelangelo could do his sculpting and Leonardo
could make appearances in other locations to appear he was far away. But in all
hard reality Michelangelo did not have the skills in painting, geometry,
anatomy, etc. to pull of the ceiling.
Now
something else of extreme note.
Leo was not gay, but a huge chunk of the clergy at that time
were. Michael was also about as gay as Freddy; just look at the "queer eye
for the straight guy" Swiss guard uniforms. I mean come on now girlfriend.
who else but a raging queen would design that.
The
Ceiling is laid out according to the story of Genesis. But it is not laid out
in a linear fashion, it is laid out in a pattern similar to that of the ATEN.
Did
Leonardo use the structure of the Egyptian ATEN to design the layout of the
panels?
Did
Michelango’s first attempts at painting end with his utter understanding he was
no where close to the man who taught him painting. He then asked the pope to
bring in Leonardo clandestinely to paint the panels. He would be paid, but he
would have no part in any of the recognition.
There
is a map built into the structure and layout of the Sistine chapel panels. That
map is absolutely present. The only question is, is the map present
intentionally or unintentionally built in by Leonardo Da Vinci.
Physical
evidence of said designs in his notebooks. About 5 to 15 of Da Vinci’s
notebooks were stolen in the hours before and after his death. They simply
“disappeared”; there is no logical reason in the world to assume those books
were not confiscated by either the King of France’s man or the Bishop from
Paris who was specifically tasked to wait until Leonardo was close to or
actually dead and confiscate those books which would show conclusive proof
beyond a doubt the Sistine chapel work was definitely his.
How
can we be so sure.
Everyone
who knew Leonardo knew flat out that he, with extreme certainty, wrote his
ideas and sketches in his notebooks.
That
is not in question in any way.
So,
part of the deal he had to follow for the Vatican and Michelangelo was that he
only write and sketch for the panels in specific notebooks he was either given
and or he purposely purchased for this specific project. Which is not the first
time. Some of Da Vinci’s previous masters had forced him into the same
agreement, those notebooks belonged to his master after the work was done.
Machiavelli
for instance, the notes which became “The Prince” would be part of the deal he
made with Da Vinci.
Noah’s Ark Vatican Sistine
Chapel
Sistine Chapel God and the
brain
We know da Vinci was one of
the smartest people to have ever lived.
But what happened next is of
extremely important to the maximum degree.
Da Vinci was a major pain in
the butt when it came to being forced into things.
He was such a huge pain in
the butt when it comes to being forced into contracts he did not want to do.
The Vatican forced Da Vinci
to give all credit to a student of his who was more than 20 years his junior.
He was forced to accept Jr Michelangelo as his equal; despite no evidence to
back it up.
The Vatican forced Leo to
paint frescoes; paint on wet plaster. A form he hated the most.
It did not allow for time he
wanted to think about how to make every brush stroke absolutely perfect.
He only had a few hours to
paint x square feet of space. When he would have liked days to weeks to paint
those square feet to make every brush stroke absolutely perfect.
He was forced to use only
specific notebooks which were ceiling specific.
So, with all those forced
things, Leo would on have not been able to keep his aggressive and scientific
mind at rest. He would have used the time and money to hide the ultimate
secrets and codes buried deep into the panels in the paintings in the ceiling.
He would have taken four
decades to think it all out. To think out what the ceiling could be, could do,
his inventive and creative mind pushed for 4 decades of annoyances and
frustrations. What could a mind like that do over 4 decades of being actually
angry with his church, local politicians, artists, education, medical science,
etc. he would have had more than sufficient time to think it all out.
He would have also been able
to think about ancient cultures and expeditions by friends of his family who
had gone to Egypt and seen the pyramids for themselves. He was not allowed to
go for a variety of reasons, but he would have been educated in the subjects.
Unlimited resources,
unlimited money, 10 years to perform the painting but 3 decades to think it all
out.
What could a mind like his do
with those parameters.
His mind would have gone to
the ultimate science prize.
Time Travel.
What if Leo built the blue prints
for a time machine into the panels he painted on the ceiling of the Sistine
chapel. More on the bottom of these graphics
Right
off the bat, with some exact specificity, the code primer for said hidden
information can be found
Flat
out in the fact that the panels are laid out according to “The ATEN”.
The
circle at the center, and the limbs of God and man extending
This
would point to the ATEN from a given center place to measure from that center
point (first rule of mathematics, measure to and from fixed points) out to
different panels. The center of the ATEN happens to be the exact feet between
the finger of God and the finger of man reaching for each other. This is the
very definition of both the Ptah standing on the Ben Ben stone reaching up to
geb/nut/shu as well as the exact definition of Jew. The descendants of the
holder of the limb. Two codes in one, which then fan out in the shape of the
ATEN.
The
basic idea of the ATEN and the Ceiling.
An
example of the from fixed point to fixed point in the AEtt of the Elder
Futhark.
From
hand to hand, from any given fixed point to any given fixed opint.
Although
this first one is from the light of the center of the universe the ATEN out to
usually hand
Fixed
points.
The
hand seems to be a huge deal with Jesus, so the fixed point to work to and from
is the hand.
Now
the next part becomes a bit interesting. The question is; did Da Vinci know and
design accordingly
Or
did is this code but part of our DNA and comes out naturally.
From
fixed points to fixed points.
The
ATEN fixed center point, out (arms, legs, appendages) to given fixed points.
usually to start with either hearts
Or
hands.
THer
is a point of history which must not be forgotten. Erik Koch, Adolf Hitler,
etc. were all members of the FreiKorp. In this case Erik was the Head of the
Friekorp, he was head papa spy for the Prussian Emprei.
Which
means with Erik in the picture there is less than zero information Erik would
not have knjonwn about and sent men into combat to sieze those idems.
The
Prussian Empire spent every day from 1090 to present working to gather money,
power, and eawpons in order to perform some type of task.
The
changes the Prussian Empire would have not taken a microscope keen interest in
the workings of Da Vinci is between slim and absolutely no chance at all.
Leonardo died in Paris, while the king was several miles away working on some
other extmrley important business.
121
years after the death of Leonardo Da Vinci under the production and emply of
Louis cousin Frances I of France. Leonardo died and his most prized notebook
were stolen. The question becomes where the stolen/acquired by the French
Government or were they stolen by the Prussians.
Either
way, in 1791, when the Revolution in France occurred, the Prussians who were
almost entirely responsible for starting and egging on the Revolution seized
the libraries of France. The librarys and books which had not be already
removed by the Germans and French before the PRusisans were able to sieze
control over sai dlilbraries and library books.
Which
brings the subject which is absolutely imporntat to this theory.
Knowing
full and copmeltely well that Leonardo Da Vinci was given an unlimited amount
of money. Michaelanglo was put in charge of being a “distrcting puppet”, and
Lenoardo had been designing the paintings of the ceiling since he was a
teenager. With an unlimited budget absolutely no limit on his brain which he
had worked on for 40 years. What could Da Vinci had created in those panels he
draw and then painted; while Michaelanglo distracted the jerks in the Vatiocan
and in Rome. The Jerks only wanted money, power, control, and to complain
endlessly over the function and structure of being able to complain so they
could use those complains to be as sociopathic sadistic to those aorudn them as
they wanted. Using the “I have been cheated” as an excuse to be evil. Leonardo
did not suffer from those fools well at all.
But
with all those distrctions; what in the world could he have come up with.
That
answer is actually really simple. He did not have anyone saying “no”, he did
not have anyone threateing him with execution, he did have have almost any
negatives. So if a scientistis with an unlimimted budget and four decades to
think it out. And a Scientist as unbelievably as smart as Leonardo was. What
could the codes and messanges in his Sistine chapel paintings reveal. What
subject could they be about.
That
subject is actually really easy when you bury your secrets so deep they would
not even be a thought in anyones mind for more than half a millennia to
contemplate as an academic exercise.
The
main prize in all of science, the largest get regarding being able to study it.
That would be the subject of time. It is also even in 2018 considered to be
insantity to a point of needing medication and or needing to spent time in a
psych ward for observation of insanity.
But
Leonardo did not need to worry, his ideas would be so well hidden any
experimentation on the subject of time. Idenfitication, maps, hidden language,
and or even a machine would be absolutely hidden and face no criticism for
anyone but the person who might have found it.
The
key was the brain he might have painted on the side of the ATEN or center
panel. God and God’s brain.
Because
the ancient science of the ATEN and the Ǽtt the subjects are entirely
about identification of the flow and patterns of time itefl measured to and
from the fixed points in the earths orbit around the sun.
Feb
2
March
20
May
1
June
22
Aug
2
Sept
22
October
31
December
22
Measuring
too and from those fixed points; is key to the identification process.
But
something more.
All
pre Arbic alphabets from western cultures from the middle east west previous
sto 500 bce. Letters were used as numbers and numbers were used as letters. It
all depended on how they were used in a sentence.
So
all the research Leonardo did to prepare the panels over the decadese he worked
on it from around his 18th birthday to the first brush to the fresco
when he was 52 would have been about understanding the language which was used
to build Hebrew from.
In
a very simple examination of the characters of Hebrew, unless the scholars
perspective is so colored by rage and hatred it is easy to see Aramaic is not
the mother of Hebrew.
So
if not Aramaic it has to be some other language.
When the obvious is removed, the redicuous
becomes the only logical answer.
In
this case the only logical answer is the Futhark, which the NAZI’s were beyond
interested in and studied extensively for cetures. Of course they studied them
for centuries previous to being called NAZI, as the Prussian Empire. The
Prussians were obviously familiar with the Futhark since there are more than a
few dozen Monoliths in the areas the Prussians used to control.
A
quick examination of the Futhark and the Hebrew sounds and it only takes a few
minutes to determine definitely that the Futhark is the mother language of
Hebrew.
All
you have to do is ignore the fictions from Paul's Vatican.
Which
creates a huge contradiction in terms. Worshiping Paul but at the same time
ignoring his abject hatred of knowledge and education.
Not
the first or only cognitive dissonant things about the NAZI.
But
the amount of time and resources they poured into finding out about the Vatican
and Sistine Chapel; no matter how long it took them to figure out it was done
by Da Vinci or not, they figure out their were hidden messanges buried in the
Panels.
Those
hidden messnages they would have obviously wanted to keep as secret at humanity
possible, and even totday those secrets would be entirely unacceptable to
reveal. If one of the smartest humans figure out how to identify time, measure
it, and map it. the next step is using those maps to travel with.
Those
are the possible secrets buried in the panels painted on the ceiling of the
Sistine chapel.
The
blue prints for a possible time machine. Provided of course that the Kaaba set
up is returned to the inside of the Chapel itself.
A
double orientation. A 4 set of Kaaba in the basilica, a 4 set of Kaaba in
Sistine, what could that do?
We
already know this was in part the confligureation of the Lake Nemi ships based
on noah’s ark 2x2, their were 4 kaaba in mecca before the current configuration
was settled upon, and of course this is the confiruation of the city of
Heirakonopolis.
All
in all an extremely difficult task to decode. But it appears the ancients did
insult and riddacule “time travel” as we do. They embraced said knwonedglea and
allowed the smartest among them to explore time in as many different ways as
possible. Up to and including machines to travel using the created maps; which
the basic structure are present in the painting at the center panel in the
emiddle of the ceiling. God and god’s brain reaching out to touch Adam.
Interesting enough if the legends are true, pices of that building were put
tgother by Adam himself. In a way Adam is literlaly touching the place he is
painted into that panel.
Did
the NAZI build a time machine, we know as a matter of fact he worked very very
hard on building one and of course about 5 second after the allies forces found
the “NAZI Bell” it became so classified it would be entirely impossble to find
even the smallest amount of evidence for since. But the NAZI Bell did exist and
it had been in the possession of the Allied forces ever since.
The
NAZI Bell has been referred to by most of the people who know anything about it
as “The NAZI TIME MACHINE”
Did
the nazi/Prussians find and decode their bell blue prints from the ceiling of
the chapel? Leonardo was the one and only person smart enough to do that type
of thinking.
There
is of course evidence of sourts in some of this drawings.
He
buried his secrets in other inventions. Like his battle tank. The gears are in
the form they would need to be in; in order to start measuring the span and
sequence of time based on the 8 fixed points.
This
si not a tank, this is a prilimianry time machine. This is only modified a
small amount into the shape of the NAZI Bell.
TR Welling